Review of: Zulu Imdb

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Ich bekomme mit dem EuGH-Urteil vom Gesetzgeber wollte fr den Weg, doch Schulz ist VPN. VPN knnen automatisch eine Raubkopie, kommt die Note | |--D.

Zulu Imdb

Stefan Wood was born in He is an actor and composer, known for Das Mädchen mit den Feuerzeugen (), Zulu - und was sonst so noch passierte. Zulu - und was sonst so noch passierte ( TV Movie). External Reviews. Get the IMDb App · Get the IMDb App · View Full Site · Help · Site Index · IMDbPro. Ulla Jacobsson, Actress: Zulu. Ulla Jacobsson was an International Swedish Actress and became world-famous with the film One Summer of Happiness (​).

Zulu Imdb Filmography

Zulu - und was sonst so noch passierte ( TV Movie). External Reviews. Get the IMDb App · Get the IMDb App · View Full Site · Help · Site Index · IMDbPro. Zulu - und was sonst so noch passierte (TV Movie ) on IMDb: Movies, TV, Celebs, and more. Zulu - und was sonst so noch passierte (). Zulu - und was sonst so noch passierte (TV Movie ) cast and crew credits, including actors, actresses, directors, writers and more. Zulu - und was sonst so noch passierte (TV Movie ) Trivia on IMDb: Cameos​, Mistakes, Spoilers and more. Ulla Jacobsson, Actress: Zulu. Ulla Jacobsson was an International Swedish Actress and became world-famous with the film One Summer of Happiness (​). Christian Ross is an actor, known for Petri Patri Paradies - Die Leute vom Schleswiger Holm () and Zulu - und was sonst so noch passierte ().

Zulu Imdb

Zulu - und was sonst so noch passierte (TV Movie ) Trivia on IMDb: Cameos​, Mistakes, Spoilers and more. Zulu - und was sonst so noch passierte ( TV Movie). External Reviews. Get the IMDb App · Get the IMDb App · View Full Site · Help · Site Index · IMDbPro. Ulla Jacobsson, Actress: Zulu. Ulla Jacobsson was an International Swedish Actress and became world-famous with the film One Summer of Happiness (​).

The majority of the Zulus were real Zulus. Around 1, additional tribesmen were filmed by the second unit in Zululand.

The film was compared by Baker to a Western movie , with the traditional roles of the United States Cavalry and Native Americans taken by the British and the Zulus respectively.

Director Endfield showed a Western to Zulu extras to demonstrate the concept of film acting and how he wanted the warriors to conduct themselves.

This allegation is incorrect; no such law existed and all of the Zulu extras were paid in full — the main body of extras were paid the equivalent of nine shillings per day each, additional extras eight shillings, and the female dancers slightly less.

Michael Caine, who at this early stage in his career was primarily playing bit parts, was originally up for the role of Private Henry Hook, which went to James Booth.

According to Caine, he was extremely nervous during his screen test for the part of Bromhead, and director Cy Endfield told him that it was the worst screen test he had ever seen, but they were casting Caine in the part anyway because the production was leaving for South Africa shortly and they had not found anyone else for the role.

Caine's performance in Zulu won him praise from reviewers, and his next film role would be as the star of The Ipcress File in which he was reunited with Nigel Green.

One technical problem the armorers and the director had to deal with concerned the rifles used during the filming. The company was unable to obtain enough Martini-Henry rifles to equip all of the extras, and had to fill in with No.

In the scene at where Chard orders a walking advance and volley fire by ranks, the cocking pieces can be seen moving forward as the men shoot, and one kneeling man can even be seen working the bolt on his rifle.

Generally, in any scene shot from the soldiers' left, the rifles being used are Enfields; in any scene shot from the right, Martini-Henrys.

The budget of the film has been the subject of some speculation. Joe Levine later revealed that Stanley Baker had approached him with a script and budget in , just after the filming of Sodom and Gomorrah.

According to the records of the British completion bond company, Film Finance, Ltd. The basic premises of the film are true and largely accurate, but is not a historical re-enactment of real events.

The heavily outnumbered British successfully defended Rorke's Drift more or less as portrayed in the film. Writer Cy Endfield even consulted a Zulu tribal historian for information from Zulu oral tradition about the attack.

There are several inconsistencies with the historical record concerning the Swedish missionaries, the Witts. In the film, Witt is depicted as a middle-aged widower, a pacifist and drunkard, who has an adult daughter called Margareta.

In reality, Otto Witt was aged 30 and had a wife, Elin, and two infant children. On the morning of the battle, Otto Witt, with the chaplain, George Smith and Surgeon-Major James Henry Reynolds had ascended Shiyane, the large hill near the station, and noticed the approach of the Zulu force across the Buffalo River.

Far from being a pacifist, Witt had co-operated closely with the army and negotiated a lease to put Rorke's Drift at Lord Chelmsford's disposal.

Witt made it clear that he did not oppose British intervention against Cetshwayo. He had stayed at Rorke's Drift because he wished "to take part in the defence of my own house and at the same time in the defence of an important place for the whole colony, yet my thoughts went to my wife and to my children, who were at a short distance from there, and did not know anything of what was going on".

He therefore left on horseback to join his family shortly before the battle. The attack on the mission station was not ordered by King Cetshwayo, as the audience is led to believe in the film.

Cetshwayo had specifically told his warriors not to invade Natal, the British Colony. The attack was led by Prince Dabulamanzi kaMpande , the King's half-brother, who pursued fleeing survivors at Isandlwana across the river and then moved on to attack Rorke's Drift.

Although almost 20, rounds of ammunition were fired by the defenders, just under Zulus were killed at Rorke's Drift. A similar number were left behind when the Zulus retreated, being too badly wounded to move.

Comments from veterans many years after the event suggest the British killed many of these wounded men in the battle's aftermath, raising the total number of Zulu deaths to over At roughly a.

No attack materialised, as the Zulus had been on the move for six days prior to the battle. In their ranks were hundreds of wounded, and moreover they were several days' march from any supplies.

Around am, another force appeared, the defenders abandoned their breakfast and manned their positions again. The approaching troops were the vanguard of Lord Chelmsford's relief column.

The Zulus did not sing a song saluting fellow warriors, and departed at the approach of the British relief column.

On its initial release in , it was one of the biggest box-office hits of all time in the British market. For the next 12 years it remained in constant cinema circulation before making its first appearance on television.

It then went on to become a television perennial, and remains beloved by the British public. Zulu received highly positive reviews from critics.

Bosley Crowther of The New York Times wrote that "if you're not too squeamish at the sight of slaughter and blood and can keep your mind fixed on the notion that there was something heroic and strong about British colonial expansion in the 19th century, you may find a great deal of excitement in this robustly Kiplingesque film.

For certainly the fellows who made it, Cy Endfield and Stanley Baker, have done about as nifty a job of realizing on the formula as one could do.

It has already been pointed out that 'Zulu' is in poor taste. But so are such invaluable relics as G.

Henty and Rider Haggard and Kipling. And the battle, which occupies the whole second half of the film, is unquestionably thrilling But whenever there is a pause in the action the script plunges relentlessly into bathos, with feuding officers, comic other ranks, and all the other trappings of British War Film Mark I, which one had hoped were safely obsolete.

Although actual participants of the battle are named characters in the film, they bear little resemblance to historical accuracy.

The most controversial portrayal is the one of Private Hook who is depicted as a thief and malingerer the real Hook was a model soldier and teetotaller.

His elderly daughters were so disgusted with the Zulu character, they walked out of the London premiere in The fictional depiction has led to an ongoing campaign to have the historical reputation restored to the real Private Hook.

When released in Apartheid South Africa in the film was banned for black audiences as the government feared that its scenes of blacks killing whites might incite them to violence , apart from a few special screenings for its Zulu extras in Durban and some smaller Kwazulu towns.

By critics were divided over whether the movie should be seen as deeply anti-imperialist or as racist. Zulu was filmed in Technirama and intended for presentation in Super Technirama 70, as shown on the prints.

In the UK however, the only 70mm screening was a press show prior to release. While the vast majority of cinemas would have played the film in 35mm anyway, the Plaza's West End screenings were of the 35mm anamorphic version as well rather than, as might have been expected, a 70mm print.

By the number of British films available to a cinema like the Plaza could be limited and Zulu gave them several weeks of British quota qualification if played in 35mm.

In other countries the public did get to see the film in 70mm. An official DVD release with a mono soundtrack as the original stereo tracks were not available was later issued by StudioCanal through Metro-Goldwyn-Mayer.

The film was released on Blu-ray in the UK in ; this version is region-free. On 22 January , Twilight Time issued a limited-edition Blu-ray of Zulu in the US [ citation needed ] with John Barry's score as an isolated track; [40] the release date being the 50th anniversary of the film and the th anniversary of the actual battle.

From Wikipedia, the free encyclopedia. UK cinema release poster. Release date. Running time. United Kingdom [1]. Michael Caine recalls auditioning for Zulu.

This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed.

March Learn how and when to remove this template message. British Film Institute. Archived from the original on 12 July Retrieved 28 July The Observer.

London, UK. Turner Classic Movies. Time Out. Front Row. BBC Radio 4. Retrieved 18 January Sheffield, England: Tomahawk.

The New York Times. New York City. The Independent. Retrieved 10 June The Daily Telegraph. Retrieved 29 April Bookmarks Publications Ltd. B3: The 24th Regiment and its local links".

Museums of the Royal Regiment of Wales. Durnford's cavalry is wholly equipped with these weapons which is also inaccurate as in reality they were largely equipped with Sniders or Westley Richards carbines.

This is incorrect as these weapons were not produced until In the same scene, one soldier is seen with a Pattern Enfield rifle.

This is also an anachronism. The rifle is anachronistic since the movie is set in William Vereker Simon Ward uses an unidentified side hammer double barreled rifle to demonstrate his riding and shooting skill to Col.

Durnford Burt Lancaster. There are many goofs in this film, in many scenes British soldiers switch from Henry Martini rifles and carbines between shots.

During the battle only some of the British troops have bayonets fitted to their rifles when they should all have fitted them before the battle began.

Many of the bayonets are either incorrectly fitted or obviously made of rubber. Also evident are the fact that many of the Henry Martini rifles are actually wooden props.

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